Friday
Character Shots - My Sinatra!
Thursday
Animated Sketched Storyboard
1. An close up of a gramophone playing a record showing a micro close up of the lines on the record, whilst spinning with some of the opening titles running around the record. Radio voice-over using no diegetic sound in the background - tuning in and out of different stations.
2. Timeline appears with images zooming in and out from the era shown on timeline.
3. Line carries on showing more content and ideal images on Sinatra...
4. Line carries on with more and more images fading in and out of one another and becoming animated.
5. Animation turning into first shot of Sinatra sitting at dressing room table, close up of tapping foot and hand - showing nerves.
6. Bright lights blocking out were audience would be as you see silhouette of Sinatra walking of stage with cheering in the background and the body shot of Sinatra holiding hat to his chest.
7. Quick flash of Sintra snatching Whiskey bottle of stool, with brightly lighted stage in the background.
8. Then as the opening is at it’s climax showing Sinatra slam bottle down on dressing table as he stares at himself in the mirror - with ongoing repeat of cheering and knocking on door showing everyone trying to get to him and him loosing himself in emotions and thoughts.
Wednesday
Sketched Storyboard
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Tuesday
ANIMATIC STORYBOARD
Thursday
Ideas for my Timeline in the style of 'The Kingdom' opening.
- Worn down houses ( Eg. near Hectors fish and chip shop)
- In front of shops
- Walking down the street
- Night time shots, busy night life
November 6th
- Gramophone or spinning record preferably Frank Sinatra
- Trilby hat
- Old fashioned microphone
- Whiskey bottle
- Whiskey glass
- Dressing table with Mirror preferably framed with lights
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LOCATION, LOCATION!
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Monday
Summary of Planning
Summary of Final Plan 20/10/08
I have chosen the film brief for my foundation Portfolio, my final piece is going to be the opening to a film biography of Frank Sinatra’s life. This idea was initiated from my personal interest in music and from watching certain films that haves stood out to me e.g. Ray. I originally researched artists such as Eva Cassidy, Joni Mitchell and Tracy Chapman but found that the story of Sinatra’s life would work well and interested me. From the beginning I wanted to do an era film with the use of monochrome and colour footage, so although the film is based on all of Sinatra’s life the opening is mainly going to be based around the 1940’s, which was when Sinatra’s music career was just forming and if I was to do the full length film it then would shoot back to his childhood.
We started by watching past film openings from students overseas, they were all from a E-C grade and thrillers-as it was compulsory to do a thriller last year. None of the films stood out to me but they did show me what I did not want to do and the areas to try and avoid, E.G. Filming amateur actors close up, uncertain story line and making to much happen in a the short period of time. I also watched a section from the film ‘Se7en’ and although I was not thinking of doing a thriller it gave me lots of ideas of positioning and how important the set is.
During my research I looked into different past musicians of Sinatra’s era and up till now including the likes of Joni Mitchell , Tracy Chapman, Dean Martin, Eva Cassidy. I looked into different music feature films including, ‘Ray.’ Ray is a modern film that was made in 2004 yet was set back in 1930 when he was born and up until 2004 when he died, it mainly focused on his active years from 1947-2004. If I was to do a full-length biography I would like to follow this structure and include all of Sinatra’s life stages. I also looked into modern musicians who have made feature films including Eminem’s ‘8 mile’ premiered in 2002 and 50 Cent’s, ‘Get rich of die tryin,’ premiered in 2005. I got my idea of showing Sinatra’s nerves in my opening from the ‘8mile’ opening when you see Eminem in the bathroom jumping up and down in front of the mirror. This will be similar to my idea of showing Sinatra in his dressing room staring into the mirror. I find the intro to ‘8mile’ so effective because of its simplicity and grungy lighting that helps set the atmosphere and enhances the genre of Eminem's music. I also want to use similar camera angles; in ‘8 mile’ they use close ups of Eminem’s face and his feet jumping up and down which i would like to copy by showing Sinatra’s nervous hand on the whiskey glass, his tapping feet and possibly his reflection in the mirror but differently from a distance as I want to avoid it looking amateur by using close ups of the face.
The type of audience i am aiming to target is not a specific age yet targeting an older audience purely because of the content and merely because i imagine the film to be quite intense and where the audience would understand and feel empathy towards Sinatra's situation of stress and alcohol abuse. The audience ideally should be musical or interested in the life of Sinatra but i would hope that the film would be interesting to any mature teenager/adult despite there level of interest in Sinatra and music in general. The music feature films I looked at; ‘8 mile’ and ‘Ray’ are rated a 15 and as I am following similar structures within those films I would also rate the film a 15. I went on the BBFC website, www.bbfc.co.uk/classification, to look into the criteria of a ’15’ certificate. Under the ’15’ it tells an in-depth list of what you can and cant contain and specifially tells us that ’No-one younger than 15 may see a ‘15’ film in a cinema. No-one younger than 15 may rent or buy a ‘15’ rated video or DVD’ whereas under the ’18’ certificate it has less information of bounderies and states. ’In line with the consistent findings of the BBFC's public consultations, at '18' the BBFC's guideline concerns will not normally override the wish that adults should be free to chose their own entertainment, within the law.’ This rein-forces my reasons for rating my film a ’15’ as there is no need for the content to be as explicit as what you would find in a ’18’ rated film.
I am also using ideas from ‘The Kingdom’ opening by using the idea of a timeline with the use of still images becoming animated. The use of typography to illustrate certain key points in Sinatra’s life. There will also be the sounds of different radio stations tuning in and out throughout, which will include some of Sinatra’s music as well as Dean Martin and other musicians of his time. This is similar to the news readings and facts that are spoken throughout The Kingdom.
I am hoping to film my opening at the Jersey Opera House, due to it fitting the image i hope to portray perfectly as it fits the aged era of Sinatra’s life. It was built in 1865 by Henry Cornwall
Friday
storyboard ideas
Tuesday
Research
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Camera angles are also used well in the film, especially in more action scenes where the camera moves and seems hand-held, i like the idea of this creating a sort of gritty style.
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Friday
Katie, Amy and I had the task to capture the 180 degree angle in a simple video including a location , 2 characters with a variation of camera angles. We were to include shot/reverse - (extra camera shot), match on action, 180 degree rule-(characters not swapping sides.)
We tried to keep the dialogue and actions simple and mainly focused on getting the correct camera angles, the camera work was slightly unsteady due to not using a tripod so next time we will make sure we use one. The background noise is too loud and at one point i had to decrease the volume to nothing as Katie spoke too slowly and fast when Amy was still sitting down which would not have fitted with the next camera angle and dialogue.
I had to re-take a few times due to laughing and different actions so i had to edit it which makes the film not run as smoothly as i hoped. If i was to do it again i would plan the dialogue, use the tripod and think more about the surrounding noise.
Wednesday
Monday
An Idea.
September 15th
'15' – Suitable only for 15 years and over
No-one younger than 15 may see a ‘15’ film in a cinema. No-one younger than 15 may rent or buy a ‘15’ rated video or DVD.
Theme
No theme is prohibited, provided the treatment is appropriate to 15 year olds.
Language
There may be frequent use of strong language (eg 'fuck'). But the strongest terms (eg 'cunt') will be acceptable only where justified by the context. Continued aggressive use of the strongest language is unlikely to be acceptable.
Nudity
Nudity may be allowed in a sexual context but without strong detail. There are no constraints on nudity in a non-sexual or educational context.
Sex
Sexual activity may be portrayed but without strong detail. There may be strong verbal references to sexual behaviour.
Violence
Violence may be strong but may not dwell on the infliction of pain or injury. Scenes of sexual violence must be discreet and brief.
Imitable techniques
Dangerous techniques (eg combat, hanging, suicide and self-harming) should not dwell on imitable detail. Easily accessible weapons should not be glamorised.
Horror
Strong threat and menace are permitted. The strongest gory images are unlikely to be acceptable.
Drugs
Drug taking may be shown but the film as a whole must not promote or encourage drug misuse.
Tuesday
September 9th
I am still going to use the idea of the radio tuning in and out of different stations to start with and there being lots of hype about him as well as other musicians of his time. I am going to introduce a time line within the first 30 seconds flashing in and out of video clips of him at the stages of his life; similar to The Kingdom. -
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I think the majority or possibly all of my piece is going to be in black and white merely because it is based around the 1950's era where colour technology was not so advanced.
- In the 1950s some of America's greatest actors played characters who were past their prime, emotionally vulnerable, with fragile egos. Bette Davis stars as an aging actress manipulated by an aggressive younger actress in All About Eve (1950); Humphrey Bogart plays a broken-down alcoholic in The African Queen (1954) and a psychotic naval captain in The Caine Mutiny (1954)-
ContactMusic.com says - Frank Sinatra was a functioning alcoholic, who went cold turkey on his love of booze and cigarettes in the weeks running up to recording sessions to save his voice. The late crooner's biographers, ANTHONY SUMMERS and ROBBYN SWANN, have presented evidence they discovered while researching their book SINATRA: MY LIFE to alcoholism experts, who have confirmed claims Ol' Blue Eyes was ruled by Jack Daniels. The husband-and-wife journalists now claim Sinatra's boozy standard ONE FOR MY BABY was more than just a song the legend sang; it was actually the soundtrack to his sad, lonely and violent life. Swan says, "Sinatra's use and abuse of alcohol was much more important than anyone understood. We tracked that and we gathered information that, from the mid-40s on, he was really seriously abusing the booze, and, even in his later life, drinking a bottle of Jack Daniels a day. "It was all well documented by close friends, who spoke lovingly about him. "When we submitted that evidence to a couple of experts on alcoholism, they said, pretty conclusively, that this is a functioning alcoholic and I think that helped us to explain and I think will help the reader understand the explosive temper, the up-and-down relationship with women and his children, the depressions and the insomnia." Oxford University-educated Summers adds, "One of the strange anomalies is that a man, who not only drank so much but smoked so much - those untipped Camel cigarettes - for years and years and years, was still able to put out such a wonderful voice over such a long period. "We learned that he went off the booze and off the cigarettes for a period before he made an album." Summers claims the ravages of heavy drinking and smoking took their toll on Sinatra's famous voice - and this can clearly be heard on some recordings. The biographer adds, "The booze and the cigarettes and the sorrows in his life affected his voice. "You hear him do One For My Baby in the late 50s, and then you hear the recording he did of the same song just before the 50s and they're as different as day is from night. "The voice, by then, has been tempered, weathered by the booze, the cigarettes, the sadnesses and he's clearly living the song more the second time around."
Monday
September 8th
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Friday
September 5th
We also watched a section from the film Seven; although at the moment my thoughts are to do a possible romance film it gave me lots of ideas of positions and how set is extremely important. The use of -
- Simple acting with no talking
- Lighting (a spotlight in darkness and rays of red light made the scene tense)
- Photos hanging up and old books etc